Archive for May, 2008

Choosing a good designer - What to look for?

Let’s face it, it’s never going to be an easy task looking for a good designer. There are a lot of affordable graphic designers that are readily available but more often than not, they are out for good references. This market can be quite confusing. The question is – what is the correct graphic design?

Anyone can work with PhotoShop but does this make him or her a good designer? There are all sorts of graphic design qualifications that can be obtained – this, too, doesn’t necessarily mean you are a good designer. Design is being, an object, an organism……an entity.

Graphic design tells us a visionary story. It’s the way we react to it psychologically and the way we associate ourselves with designs by forms and colours. Designs need to communicate and reflect customer’s visions, needs and profile. At the same time, the design needs to separate the customer from their rivals. For example, a when printing onto a CD, the design should be easy to duplicate and reapply (Mass duplicating CD/DVD’s with the same image etc).

The customer will submit an outline of ideas of which, a good designer must be creative with. There’s no point in being over creative, designs also need to be put into context. While all this needs to be taken onboard, most importantly, a good designer will have to cope with financial and time constraints. A good designer would have mastered all of these areas.

Customers have control of how their own business works. The customer can always get caught up too much in the thought process, as they are heavily involved in the project. That’s why it’s always good to have someone with fresh eyes to see things that the customer may have over-looked.

“Innovation” is a word commonly used by a lot of companies – either in brochures, magazines or on websites. There’s a difference between being innovative and creative. Being creative means getting the best of the given outlines/constraints. Being innovative means thinking above and beyond the given limitations/boundaries.
A good designer will know what vital questions to ask customers. A bond and trust needs to develop between the designer and the customer. Once this has been establish, then together the boundaries can be broken.

A good designer of course needs inspiration, creativity and motivation is also the key. Most importantly a good designer needs to be in touch with what’s going on around. In-tune to what is evolving – this will need to be passed on to the customer who may not be aware. This happens a lot.

A good designer needs to take into account a customer’s strategy, and market position. The design needs to generate sales, revenue and get the point across to their target market. Choose wisely, choose carefully is my advice.

There are a few factors to consider if your design is for a CD/DVD label or, if it’s for paper-based materials. CD printing is a different process to paper or sheet printing. The print heads and inks are different. A CD or DVD usually has a plastic white-faced surface area. The design for a CD label or a DVD label has to account for the centre hole in the disc. Take for example, if a project involves a CD in a colour card wallet. Usually, the designs on both are the same. The designer should point out to the client that the colours will differ on the CD to that on the card wallet

Which CD/DVD Packaging best suits my needs?

Corporate clients have the most interesting ideas for promoting products/concepts on CDs or DVDs. These tend to be the more creative/specialist packaging ideas. If you are at a conference/seminar where CDs & DVDs are handed out, the packaging for this tends to be more standard. For example, if you are mailing CDs or DVDs then you will need more durable/robust packaging e.g. slimline jewel cases, cardboard sleeves, clam/shell cases, trigger cases. It’s best if a list is compiled of each sorts of packaging with a description of where they would be best used.

There are a lot of factors to consider when choosing the correct packaging. If your CD or DVD is being used as a marketing tool, then these tend to be handed out for free or mailing.

You may be doing a promotion to launch your product. Say for example an album - you may have an audio CD with a couple of tracks to be sent to a record company – in this case it is standard that a slimline case, with a printed CD front or colour insert would be ideal. If you have an audio album compilation, then a standard jewel case, which accommodates a front booklet and a rear tray liner/inlay card, is the only suitable option. Audio CDs can come in pretty much any of the wide range of packaging options. If you were giving out your music at the end of a gig, then a cheaper, more effective solution would be to hand out your CD inside a PVC wallet with a colour insert to act as a wrap for the CD.

For a software CD or DVD – DVD cases/boxes are more commonly used. These protect the CD/DVD very well and look more professional with a printed sleeve/wrap to act as a cover along with a printed/burnt image on the CD/DVD.
These DVD cases come in different sizes, e.g. slimline cases, short-spine cases, multi-way cases (holds several CDs & DVDs and is perfect when duplicating CD/DVD’s for mass distribution). DVD cases can hold booklets inside the front cover too. These act as manuals or user guides to accompany the CD/DVD.

If you are handing CDs or DVDs out at a conference or seminar then, the clam/shell cases are more than suitable as they provide protection and can easily be put inside one’s pocket.

If your CD or DVD needs to accompany a manual or ring binder, then one would use a self-adhesive plastic wallet. This would be stuck inside either front or back covers of the finished document.

If you want your product to make an impact and stand out from the rest, then there are more bespoke packaging solutions. A few examples are:

  • Hard back cases – Looks like a book but has a tray inside to hold a CD and DVD
  • Leather Effect Cases – Same principal as the hard back but with leather effect cover
  • DigiPak – These are made of a thicker board and acts as a soft book. You will find these with many albums you purchase in music stores. Gives a nice smooth, professional finish.